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Archive for the ‘Neighborhood’ Category

Art in Storefronts – Tenderloin!

Saturday, October 17th, 2009
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photo via flickr, public art in DUMBO

Art in Storefronts Tenderloin Launch: Oct. 23

When: 5:00 – 7:00 p.m.
Where: Reception and remarks at 989 Market Street at 6th Street

Central Market and North of Market/Tenderloin sidewalks will come alive as the Art in Storefronts pilot program officially kicks off with a community celebration, featuring live bands, the students of LINES Ballet, and a raffle to upcoming performances. The day will begin with an unveiling ceremony followed by a reception where the public can pick up a map to the newly-transformed storefronts.

To view the full program listing and descriptions of the featured artwork see here.

ArtSpan Open Studios – Tenderloin!

Tuesday, October 13th, 2009

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ArtSpan Open Studios is already in full swing but the weekend of October 24th the Tenderloin will be represented! Gray Area will be participating in the city-wide event by opening to the public the studios of our resident artists: Gabriel Dunne, Daniel Massey, Ryan Alexander, Miles Stemper, and Alphonzo Solorzano. Please join us in celebrating our neighborhood and the work of our talented artists!

ArtSpan lasts for four weekends, highlights four sections of the city and displays hundreds of artists. For full program listings visit their website.

Here is a brief rundown:

Weekend 1: October 10 & 11, 11am to 6pm
Bernal Heights, Castro, Duboce, Eureka Valley, Glen Park, Mission, Noe Valley, Portola

Weekend 2: October 17 & 18, 11am to 6pm
Buena Vista, Diamond Heights, Fort Mason, Haight, Hayes Valley, Marina, Mount Davidson, Ocean Beach, Pacific Heights, Richmond, Sunset, Twin Peaks, West Portal

Weekend 3: October 24 & 25, 11am to 6pm
Bayview, Excelsior, Financial District, North Beach, Potrero Hill, Russian Hill, SOMA, Tenderloin

Weekend 4: October 31 & November 1, 11am to 6pm
Hunters Point Shipyard

OpenFuture: Banquet at SFMOMA

Saturday, October 10th, 2009

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SFMoma will host an art banquet in conjunction with its exhibit “Metal + Machine + Manifesto = Futurism’s First 100 Years.”

Feeding on Futurism’s appetite for destruction, OPENrestaurant revisits F. T. Marinetti’s provocative Futurist Cookbook from 1932 — which combined polemics with actual recipes designed to transform society — and realigns the movement’s arguably fascist palate with a more sustainable approach to life. Look for cyclists delivering a locally sourced “wild beast” and a women-only kitchen carving edible sculptures against a backdrop of stadium seating, emergency sirens, and spinning walls. Guests attending this clamorous banquet can expect to exalt in sounds, smells, and constant motion, and delight in, among other things, beef ice-cream cones, avocado cocktails, and flying panforte.

For more information, see this recent SF Chronicle article.

OPENrestaurant, artist group
Luciano Chessa, composer
Chris Sollars, visual artist
Matt Volla, sound artist

Evelyn and Walter Haas Jr. Atrium
October 17, 8:00 p.m., to purchase tickets see here.

A Better Market Street

Thursday, October 8th, 2009

The city of San Francisco has began to actively put in place some initiatives to improve Market Street. These include a traffic improvement program (which began on September 29th) whereby private vehicles on eastbound Market Street are required to turn right at 8th and 6th Streets. Another plan, in partnership with community groups and building owners, is to pilot mini-plazas at strategic sidewalk locations offering seating, tables, landscaping, and windbreak systems.

Additionally, there is the Art in Storefront Project, which we have already mentioned here on the blog and in which GAFFTA plays a crucial role, and that will debut on October 23rd in the Mid Market and Tenderloin region.

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During this trial period, the city needs your feedback on these initiatives and how these measured can be improved upon. To voice your opinion you can:



This November, voters will be asked to vote on a measure called Proposition D to create a “Mid-Market Sign District”. This measure seeks to establishes a new special sign district between Fifth and Seventh Streets on Market Street and to direct a share of the advertising revenues to support youth arts education programs in the Tenderloin and South of Market neighborhoods. You can read more about this measure and an analysis on SPUR’s website. Also this is an excellent blog to view a historical account of the Mid-Market section.

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To  find out more specifics about the proposals of the San Francisco’s Planning Commission for Market Street, you can view their Market Street webpage. According to the site:

“Market Street can and should be a great place. To realize this goal, five key city agencies, together with community partners, will initiate a number of improvements over the next six to twelve months to test ways to improve Market Street between the Embarcadero and Van Ness Avenue. Your direct feedback on these pilot ideas will inform the City’s larger plan to redesign Market Street as a more pedestrian, bicycle and transit-oriented street. This larger redesign is scheduled to break ground in 2013, and is anticipated to be completed in 2015.

A renewed Market Street will anchor neighborhoods, link public open spaces and connect the City’s Civic Center with cultural, social, convention, tourism, and retail destinations, as well as with the regional transit hub that will be centered at the planned Transbay Terminal. More than a transportation link, though, the renewed Market Street will be a place to stop and spend time, meet friends, watch people while sitting in a café, or just stroll and take in the scene.

Improvements will provide a safe, universally accessible, sustainable and enjoyable place to be that attracts more people on foot, bicycle and public transit to local shops, neighborhoods and area attractions. New signage will also direct motorists to area garages and freeways. Finally, improving Market Street will go hand in hand with various plans already being developed for the wonderful array of neighborhoods surrounding our city’s main street.”

Stewart Brand talk at Long Now Foundation, 10/9/9

Thursday, October 8th, 2009

Stewart Brand will be giving a talk on “Thinking Green” at the Long Now Foundation tomorrow evening.

This talk launches Brand’s new book: Whole Earth Discipline: An Ecopragmatist Manifesto. His argument is that taking account of the emerging global forces of climate change, urbanization, and biotechnology forces a rethinking of some traditional environmental positions.

Cities are Green, with huge room for improvement. Nuclear power is Green, with better still to come. Genetic engineering is Green and shows potentially revolutionary promise. Direct intervention in the climate-geoengineering- may be necessary. The classic environmental project of restoring natural systems has to step up in scale and deepen the quality of its science and engineering.

Doors open 7 pm, Talk begins 7:30pm lasting ~1.5 hours
Long Now Foundation
Cowell Theatre in Fort Mason Center San Francisco, California

Anne Wilson: CCA Lecture

Tuesday, October 6th, 2009

ANNE WILSON “Liminal Networks”

WEDNESDAY, OCTOBER 7, 7 pm
OAKLAND CAMPUS, NAHL HALL
5212 BROADWAY (AT COLLEGE AVENUE)

Anne Wilson is a Chicago-based artist whose sculptures, drawings, Internet projects, and DVD stop-motion animations explore themes of time, loss, and social ritual. She uses found materials that are familiar and rich with cultural meaning, including table linens, bedsheets, human hair, lace, thread, and wire. Using pixelation and projection, dematerialization and reanimation, she works in a conceptual space, a liminal zone between drawing and object making, where social and political ideas overlap the material processes of handwork and industry. Her finished pieces remain liminal, in whatever new medium they enter.

Wilson holds an MFA from CCA and has exhibited in the United States, England, and Japan. Her work was included in the 2002 Whitney Biennial and is in the permanent collections of the Metropolitan Museum of Art in New York, the Museum of Contemporary Art in Chicago, and the 21st Century Museum of Contemporary Art in Kanazawa, Japan. She chairs the Department of Fiber and Material Studies at the School of the Art Institute of Chicago.

ATA: 2009 Film Festival + Free Workshop

Monday, October 5th, 2009

ATA Film & Video Festival announces its 2009 program:

On Wednesday, October 21, the ATA Film Festival begins with a
FREE workshop on experimental film exhibition and distribution.

Festival co-director Kelly Pendergast will moderate panel and audience discussions with: Microcinema International founder Joel Bachar; SFcinemateque executive director and filmmaker Jonathan Marlow; filmmaker, curator and Canyon Cinema Board Member Maia Carpenter; filmmaker and Other Cinema founder and programmer Craig Baldwin; and Associate Editor/Producer of Wholphin DVD Magazine Emily Doe.

If you would like to attend, send us an e-mail before October 15 to festival@atasite.org, and reserve a spot!

On Thursday and Friday, October 22 & 23, ATA will screen two programs of short works: “Specters & Machines” and “Stories we tell ourselves.” Both programs offer unique representations of the myriad facets of life and feature the work of local talents including Paul Clipson, Kerry Laitala, and Tommy Becker, and national and international filmmakers such as Maarit Suomi-Väänänen, Chris Kennedy, Laida Lertxundi and Martha Colburn.

The screenings will be followed by musical performances and the announcement of ATA Audience Awards.

In addition, two installations by local artists will be presented in ATA’s gallery: “Gaze,” by Mary Franck, exploring new possibilities of speculation through digital technology, and “Trace,” an Intervention by Rebecca Najdowski, focusing on thresholds of humankind and the natural world.

And finally, the ATA Window will project a selection of experimental shorts and innovative animations during the month of October. Pieces range from Jeejung Kim’s sinister, ocular – –opened eye, closed i – i closed, eye opened– – to Anna Geyer’s glorious Ich bin ein junger Hupfer, a hand-manipulated color study accompanied by birdsong and yodeling.

ATA is at 992 Valencia at 21st Street.
Doors open at 7pm every night
Screenings start at 7:30PM
Tickets are $7-$10
buy advance tickets online

To receive updates and next year’s call for submissions, join the ATA Film & Video Festival mailing list.

Artists’ Television Access is a nonprofit 501(c)(3) artist-run screening venue and gallery located in the heart of San Francisco’s Mission District. ATA is supported in part by Grants for the Arts/San Francisco Hotel Tax Fund, The Christensen Fund, individuals members, donors and volunteers.

CELEBRATING 25 YEARS OF EXPERIMENTAL MEDIA: Join ATA as a member and receive exciting gifts, including the 2008 DVD compilation, T-shirts, free admission to screenings and more! Artists on the 2008 DVD compilation include: Yin-Ju Chen, Mike Rollo, Marthaxiv, Sam Manera, Wago Kreider, Federico Campanale, Paul Clipson and Carl Diehl.

DataSF, Innovations For Collaborative Open Government

Friday, September 25th, 2009

DataSF Application Showcase is an an online resource sponsored by San Francisco Government, where artists, programmers and innovators can share their ideas and applications for participation, collaboration and transparency in the city of San Francisco. Contributions to the showcase can be submitted online and anyone who has an interest in working with these data sets can spearhead their own project and make it available to the public.

The DataSF App Showcase capitalizes on the understanding that changes are  already happening to the distribution of information and that interested developers will continue the push to create new technologies to affect city life and move away from propriety systems. The release of these data sets encourage collective participation and gives greater power to individual citizens.

Stamen Design, who has been actively working with the public data made available through this resource as well as information from the Uptown Tenderloin Historic District, will debut a series of interactive and printed maps at GAFFTA’s inaugural show “OPEN”, allowing visitors to explore the Tenderloin through a series of different lenses.

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Tenderloin Proxy: Temporary Placeholders in Empty Lots

Tuesday, September 22nd, 2009

Due to the economic downturn there are a lot of empty lots and parcels scattered throughout the city where construction has been put on hold. Recognizing that these abandoned places are unsafe dead zones within the arteries of a thriving city, active city residents, local artists and architects contend that in the meantime, these sites can be occupied by alternative, temporary installations: such as pop-up retail spaces, restaurants, art pieces, gardens or community meeting places.

For the empty lots along the Octavia Boulevard architectural firm Envelope A&D have proposed some inspiring, vibrant alternatives to the currently dead zones.

With all the empty lots and abandoned storefronts prevalent throughout the Tenderloin, it would be wonderful to get a similar initiative started there. In the past, the local group, the Luggage Store, has made an excellent attempt to do just that with their project Tenderloin National Forest.

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The Tenderloin National Forest is an amazing initiative to re-appropriate a neglected parcel of land in the Tenderloin community, which would otherwise, being left in its abandoned state would only increase drug traffic, crime and other illicit activities in the area.  The transformation and beautification of the alley into a park creates a positive meeting place for people to gather.

We would love to see more of this kind of projects in the Tenderloin. Here is a description of the Envelope A&D proposal for Hayes Valley as inspiration for some of the ideas that have been floating around:

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“Envisioned with a lifespan of two to three years, proxy is an investigation into the potentials of impermanence. At the same time, the project seeks to re-establish the urban fabric through a combination of frame, fabric, mesh, wall and volume. As a temporary architecture, proxy makes visible many normally concealed aspects of architecture: power distribution, garbage and recycling collection, composting, water storage, and the objectification of individual spaces of habitation. Qualities of transparency, veiling and illuminance not easily achieved with more solid building materials are inherent to more lightweight and temporary structures.

The retail and food component of the project will be comprised of local San Francisco businesses and vendors primarily through small and portable “pop-up” style retail pods. These small scale, 180 square foot, spaces can be individually inhabited or can be combined together into a cluster of pods occupied by a single occupant. Over the lifespan of proxy, it is envisioned that these very small retail spaces will be inhabited by several different businesses or community groups. Sites for food carts and parking for food trucks will be provided to provide a diversity of food choices, all from local Slow Food vendors.

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A partially covered interior courtyard exterior movie theater creates an enclosed volume of space within the site that can be used for covered exterior eating and gathering areas. This space links with an open eating courtyard served by food vendors. A glazed art-box will house rotating art installations curated by premier local curators, gallery owners and collectors. The art-box faces inward to the interior courtyard while it has the capacity to project video art pieces onto adjacent surfaces of the proxy construct.

proxy is conceived of with an ethic of sustainability and reuse. The southern face of the L site will sponsor a demonstration photovoltaic array for on-site power generation. A water collection will be used for irrigation of on-site plantings and the existing asphalt surface will be partially removed to allow for pervious paving in common areas. Retail pods and frames will be re-used or recycled after this inhabitation. Most other components will be rented or recycled after proxy is dismantled.”

Hibernia Bank sold for $3.95 million (via SF Gate)

Monday, September 21st, 2009

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The landmark Hibernia Bank building in San Francisco’s Tenderloin neighborhood has been sold for $3.95 million, according to the former owner’s real estate broker.

Originally built in 1892, the distinctive building at the corner of Market and Jones streets has been home mostly to pigeons since 2000 when a San Francisco Police Department task force left, making the front steps a haven for public drinking, drug dealing and street urination four blocks from City Hall.

Real estate broker Stanley Lo said the buyer is a San Francisco company in the commercial real estate construction business. He said the buyer paid cash. Lo said he did not have the authority to reveal the buyer’s identity.

“The buyer intends to improve the building and to make it rentable for business,” he said. “It will definitely improve the area. The city will be happier, and it will help Market Street improve.”

Whoever bought the building, it wasn’t a consortium seeking to build a cultural arts center, including radio and music museums.

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“At this point, it has been taken off the market and had been sold to somebody,” said Stephen Van Someren, secretary and treasurer of the Bay Area Radio Museum, part of that consortium. “I’ve got two different real estate brokers trying to find out who.”

His group is looking elsewhere in the Tenderloin for a home. “We’re definitely not giving up,” Van Someren said. “One plan or another is going to work. We’ve got plan B through plan F.”

Elaine Zamora, manager of the North of Market/Tenderloin Community Benefits District, said she is disappointed the museum project did not get the space.

“It’s unfortunate. I think it would have been an exceptional use for it,” Zamora said. “We’re hoping the person who bought it will have an equally beneficial use.”

Lo said the price came down from $10 million to $4 million in the past six weeks, generating a lot of interest in a building that is the city’s oldest temple-form bank.

Last year, Mayor Gavin Newsom considered the building as the site for the new Community Justice Center, which would prosecute misdemeanor and nonviolent felonies in the area, but decided on a Polk Street location instead, partly due to the high cost of the bank building.

The building needs seismic retrofitting, asbestos and lead paint removal, disability access and other improvements that could cost millions of dollars, observers have said. The 38,000-square-foot Baroque-inspired structure also has soaring columns and a domed entrance, drawing the attention of passers-by and serving as an entry to the Tenderloin.

Read more: http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2008/09/10/BALN12RK9V.DTL#ixzz0Rm8mewP8

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