Archive for the ‘Gatherings’ Category

August Workshop: Creative Coding: An Introduction to Processing

Wednesday, July 28th, 2010


iTunes Visualization – A project by instructor Scott Murray.

Back by popular demand, Gray Area Foundation for the Arts introduces our fourth Creative Coding workshop.

Creative Coding: An Introduction to Processing is an introductory-level workshop that explores the creative potential behind Processing, a free and revolutionary programming environment that enables users to create interactive, dynamic, computer-based tools, projects, and art. Over four evenings, participants will explore creative programming in a project-based, collaborative learning environment. Instructor Scott Murray will cover Processing-specific syntax, as well general programming concepts. Creative Coding is intended for absolute beginners. No prior programming experience is necessary, although students with prior programming experience are still welcome to attend.

“Processing is an open source programming language and environment for people who want to program images, animation, and interactions. It is used by students, artists, designers, researchers, and hobbyists for learning, prototyping, and production. It is created to teach fundamentals of computer programming within a visual context and to serve as a software sketchbook and professional production tool.” — processing.org

Classes will be held from 6PM – 9PM:
Tuesday — August 3rd
Thursday — August 5th
Tuesday — August 10th
Thursday — August 12th

Curriculum:
- Syntax
- Shapes
- Color
- Motion
- User input
- Variables
- Operators
- Logic & loops
- Random elements
- Images
- Video
- Type

Other topics will also be explored, according to students’ interests.

Creative Coding Workshop

Registered students are expected to arrive on time, with Processing installed on a laptop computer. Processing is compatible with Windows, Linux, and Mac OS X machines. Classes are $240 for non-members, and $220 for members.

Ocean Revolution Benefit: Support Work in the Gulf

Tuesday, July 27th, 2010

What: Ocean Revolution Benefit
Where: Gray Area Foundation for the Arts
55 Taylor St. San Francisco, CA 94102
When: Thursday, July 29th, 6:30-9:30PM
How: Tax Deductible Donations are requested $20-$10,000 http://bit.ly/TORF2010

6:30 – Drinks, Registration
7:00 – Presentations begin with never before seen footage taken by J (and team) from The Gulf
7:15 – J presents on his travels & new programs created by Ocean Revolution

While the cap is now in place, and the flow may be under control, the work for the ocean remains.

Earlier this month Dr. Wallace “J” Nichols traveled to the Gulf of Mexico oil catastrophe to understand first-hand the horrific conditions facing sea turtles during and after the devastation that recently occurred in the gulf. As part of a response team focused on sea turtle rescue and rehab efforts, J is now learning what can and should be done to help save the turtles. In one month he is returning from his trip and he needs our help.

To celebrate J’s efforts and raise money for future research trips we invite you to join us at the Ocean Revolution Benefit on Thursday, July 29th here at the Gray Area Foundation for the Arts. In addition to supporting J’s remarkable work in the Gulf, you’ll be learning about positive changes we can make in the gulf with your help.

Presentations begin with never before seen footage taken by J (and team) from The Gulf. This will be followed by J presenting on what he saw, talking about new programs created by Ocean Revolution, and describing how Ocean Revolution will address oil, toxins, and plastics in the Gulf.

All are welcome to attend the event but we’re asking for a donation (anywhere from $20.00 -$1,000 payable at the door of the event). To attend the event, please R.S.V.P. Sarah at whatsarahsees@gmail.com; make sure the subject line reads ‘I support the Ocean Revolution.’ In addition to hearing J speak at the event, you can earn more about J’s efforts check his blog at http://wallacejnichols.org/ or follow him on twitter @wallacejnichols.

Can’t attend the benefit but still want to contribute to the cause? Online tax-deductible contributions are being accepted here via the Ocean Foundation (http://bit.ly/TORF2010)

SF Motion Graphics Festival at Gray Area

Tuesday, July 27th, 2010

Motion Graphics Festival 2010

The Motion Graphics Festival is the premier creative conference for motion design, visual effects, sound design and interface technology – presenting a wide array of events including: art showcases, workshops, panel discussions, studio tours, theater screenings, industry mixers… and audio visual showcases.

Doors open at 6:00pm
6:00pm-7:00pm: Cullen Miller – DJ set
7:00pm-8:00pm: Stash Best of 2009 Screening
8:00pm-9:00pm: MGFest San Francisco 2010 Screening
9:00pm-10:00pm: Maldives – LIVE

Stash Best of 2009:: 7pm-8pm
Stay inspired and informed with 36 of the most spectacular commercials, music videos, virals, short films, broadcast designs and game cinematics of 2009. Two hours of animation, VFX, motion design and Behind the Scenes extras carefully selected from Stash DVD Magazine.

MGFest San Francisco 2010 Screening :: 8pm-9pm
Screening artists include: Max Hattler, Boolab (Spain), Puma, N.A.S.A. feat Tom Waits, Koo-Ki (Japan), Carl Burgess, nextbeat, Basement Jaxx, Man Vs. Magnet, Noah Shulman (Nyc), Halfadeer (Boston), Jeremy Mayhew, Shantell Martin, Koo-ki, Qian Li and much more.

Location: Gray Area Foundation for the Arts
55 Taylor, San Francisco, CA

Visit MGFest.com for more details.

SENSEable Cities: Exploring Urban Futures OPEN Hours and Weekly Schedule

Monday, July 19th, 2010

Gray Area is now opening for exhibition viewing hours every Tuesday and Thursday between 4:00PM-7:00PM. Be sure to come check out our most recent exhibition, SENSEable Cities: Exploring Urban Futures featuring the works of MIT’s SENSEable City Laboratory.

In this, the first retrospective of the lab’s work, we have chosen 15 past projects that represent the potentials of this new world of pervasive computing. A collection of works from MoMA, Venice Biennale, Expo 2008, and Design Museum Barcelona. The work ranges from a pollution-sensing e-bike, to tiny sensors that can detect the final journey of trash in the waste removal system, and from real time visualizations of calling patterns during Obama’s Inaugural speech to a new smart building from the London 2012 Olympics.

This exhibition will only be here until August 11th. Don’t miss this limited opportunity while it is in San Francisco!

We we also be hosting donation Yoga every Monday from 6:00PM – 7:30PM and Pilates every Wednesday from 6:00PM – 7:00PM.

We look forward to seeing you at Gray Area Foundation during the week!

Dorkbot SF at Gray Area

Monday, June 28th, 2010

About dorkbotSF
dorkbot-sf is a spinoff of dorkbot-nyc which is
“a monthly meeting of artists (sound/image/movement/whatever), designers, engineers, students and other interested parties from the new york area who are involved in the creation of electronic art (in the broadest sense of the term.)”
The purpose of dorkbot is to:
give artists/programmers/engineers an opportunity for informal peer review
establish a forum for the presentation of new art works/technology/software/hardware
help establish relationships and foster collaboration between people with various backgrounds and interests
give us all a chance to see the cool things that our neighbors are working on

Time:
7:30pm Wednesday
7 July 2010

Location:
Gray Area Foundation
55 Taylor St
San Francisco, CA

Cost:
Suggested Donation – $5-$20
No one turned away for lack of funds.

Mike Kuniavsky - Information is a Material

We have passed the era of Peak MHz. The race in CPU development is now for smaller, cheaper, and less power-hungry processors. As the price of powerful CPUs approaches that of basic components (there are fast CPUs now that cost less than some LEDs, for example), how information processing is used fundamentally changes. When information processing is this cheap, it becomes a material with which to design the world, like plastic, iron, and wood.

This vision is the opposite of cloud computing and it argues that most information processing in the future will not be in some distant data center, but immediately present in our environment, distributed throughout the world, embedded in things we don’t think of as computers.

This talk will discuss:

* * What it means to treat information as a material.
* * The properties of information as a design material.
* * The design possibilities created by information as a material.
* * How information as a material enables The Internet of Things, object oriented hardware, smart materials, ubiquitous computing, and intelligent environments.

Mike Kuniavsky has been active in the intersection of design and technology for more than twenty years. In 1994 he designed one of the first e-commerce websites. Since then, he has worked on hundreds of interactive experiences: search engines, museum guides, digital pianos, kitchens of the future, wine racks, amusement parks, and more websites than he can remember. He co-founded Adaptive Path, an influential Web design company, and Wired Digital’s user experience lab, one of the first user research initiatives dedicated to a single company’s online products. In 2006, he co-founded a new company, ThingM, which designs and manufactures ubiquitous computing products.

His previous book, “Observing the User Experience,” has been popular all over the world and is used as a textbook at many universities. He lives in San Francisco. He blogs at orangecone.com.”

Visit Mike’s site: Orangecone

k9d – Chip Music

After homebrew enabling a gameboy or similar retro computer it’s possible to run whatever software you like on it, including contemporary software that has been written specifically for composing and performing music! starPause will provide a birds eye view of the culture around this trick as well as demonstrating how he builds a track from the ground up using a playstation portable.

Jordan the k9d writes code for cash, rides keirin bikes on city streets, and produces lofi electro music as starPause. He’s also active in the demoscene with the Northern Dragons, practices dayan qigong, and publishes the DINOAIDS pocket zine.

Visit k9d’s sites at Starpause and Indie Games.

A. Tobias Tenney – Night Garden: Bio-Modified Photography

T.bias is compiling a book of photographs that he has taken of plants & flowers at night. Armed only with his point & shoot Panasonic Lumix DMC-ZS3 he has discovered an interesting way to biologically modify his process to capture stunning night time photographs. He intends to release his book of these photos, “Night Garden”, in tandem with the Dorkbot talk.

T.bias is a jack of many trades; Music, video, web production, graphic design, interaction design, geekery and hackery. He spend some of his time trying to capture photographs that he finds pleasing with the limited photography gear he has.

Visit Tobias’ Site.

Scott Kildall – Gift Horse

The Gift Horse is:

* * 13′ high sculpture depicting the mythological Trojan Horse.
* *A public project where everyone is invited to make hundreds of real and imaginary paper viruses sculptures.
* *A means to smuggle the viruses into the museum and release them in a public ceremony.
* *Constructed almost entirely of sustainable and recyclable materials.

Scott Kildall is cross-disciplinary artist working with video, installation, prints, sculpture and performance. He gathers material from the public realm as the crux of his artwork in the form of interventions into various concepts of space.

He has a Bachelor of Arts in Political Philosophy from Brown University and a Master of Fine Arts from the School of the Art Institute of Chicago through the Art & Technology Studies Department. He exhibits his work internationally in galleries and museums. He has received fellowships and awards from organizations including the Kala Art Institute, The Banff Centre for the Arts and Turbulence.org and the Eyebeam Art + Technology Center

Victoria Scott strives to understand the transformation of matter and energy as it flows from one state into another. Working with electronic media, sculpture and social relations, she creates site-specific installations, digital prints, objects and audio works.

Her recent projects include constructing 3D paper representations of objects that exist both in simulated environments and real life. She is also developing a series of batteries that are charged by human emotional energy.

Scott completed her MFA in 2005 at the School of the Art Institute of Chicago within the Art and Technology Department. She has exhibited in Sweden, Mexico City, Toronto, Berlin, Boston and Chicago and received several Canada Council arts grants.

Check out Scott’s site: Trojan Gift Horse

MC Sasha Harris-Cronin

Sasha Harris-Cronin is a San Francisco based multimedia artist who creates interactive exhibits for museums. freelances designer, programmer, artist, technologist, integrator, manager, and all-around outside-the-box thinker.

Donation Pilates Mat Class at Gray Area

Sunday, June 20th, 2010

Weekly Donation Pilates Mat Class
Begins Wednesday, July 14th and every Wednesday
6:00PM – 7:00PM
Hosted by Holly Furgason and Gray Area

Gray Area Foundation is pleased to announce a weekly donation-based Pilates Mat class taught by Blue Sparrow Studio owner, Holly Furgason.

This introductory Pilates mat class is perfect for Pilates beginners or experts. You will learn basic Pilates principles and exercises. Adding this to your weekly routine will help you feel taller, longer, and leaner! Holly will guide you to a stronger core, increased stability, and improved physical health.

Regularly practicing students are highly encouraged to bring their own mats (yoga mats and a towel, or the thicker Pilates mats). GAFFTA will be equipped with a limited supply and hopes to foster as many interested students as possible.

ALL WELCOME. NO PRE-REGISTRATION REQUIRED.

Location:
Gray Area Foundation for the Arts
55 Taylor St. San Francisco, CA 94102
Downtown near corner of Market & Taylor

SENSEable Cities: Exploring Urban Futures

Wednesday, May 26th, 2010

Gray Area Foundation is pleased to announce:

SENSEable Cities: Exploring Urban Futures, featuring the works of MiT’s SENSEable City Laboratory.

Please join Researchers from MiT Senseable City Lab and Gray Area Foundation for the exhibition opening night reception:

Friday, June 11th, 2010 7:00pm – 10pm

Exhibition OPEN Hours: Tuesday and Thursday 4pm-7pm

Exhibition Description
Since 2003, MIT’s SENSEable City Laboratory [http://senseable.mit.edu/] has been investigating how emerging digital technologies can be employed to make cities more livable, sustainable and efficient. We recognize that the digital revolution has lent our cities a new layer of functionality and that now is the time to explore how sensors, cellphones, micro-controllers and networks of other handheld devices can be used to more effectively manage city infrastructure, optimize transportation, analyze our environmental impact and foster new communities.

In this, the first retrospective of the lab’s work, we have chosen 15 past projects that represent the potentials of this new world of pervasive computing. A collection of works from MoMA, Venice Biennale, Expo 2008, and Design Museum Barcelona. The work ranges from a pollution-sensing e-bike, to tiny sensors that can detect the final journey of trash in the waste removal system, and from real time visualizations of calling patterns during Obama’s Inaugural speech to a new smart building from the London 2012 Olympics.

SENSEable Cities: Exploring Urban Futures commences with a series of public events, June 11th- 13th, with related programming running through August 11th.

Below are a few projects included in the exhibition:

Copenhagen Wheel

Cars have GPS and traffic awareness; now bicycles can, too. But the Copenhagen Wheel has a new feature no ordinary auto navigation awareness has: it can track pollution awareness as well – in real time. The state of the art hybrid bike also saves power when you pedal and lets you use it when you need a bit of a boost. Copenhagen Wheel is an example of the city data dialog taken to the next level – beyond dialog to interactive decision making.

New York Talk Exchange

Exhibited at the Museum of Modern Art in New York, New York Talk Exchange asks the question: How does the city of New York connect to the global conversation? Using phone and IT data, the images reveal the real time connections between various boroughs and the countries they connect to.

iSpots

The iSpots project maps the dynamics of MIT’s wireless networks across campus, revealing the ebb and flow of daily life.

Obama One People

For President Obama’s 100th day in office, MIT SENSEable City Lab created visualizations of mobile phone call activity that characterize the inaugural crowd and answer the questions: Who was in Washington, D.C. for President Obama’s inauguration day? When did they arrive, where did they go, and how long did they stay?

Amsterdam

Through partnership with mobile operators, Current Cities reveals the inner workings of a city through text messages, articulating the life of Amsterdam, here, These images depict the volume and intensity of text messages during on New Year’s Eve day and night.

Trash Track

Have you ever wondered where your trash goes? MIT researchers attached tags to trash to track it. Some trash is provincial – expiring not far from home, while other objects travel great distances to be disposed of.Trash Track has received wide attention in the national and international press. It has been deployed in several U.S. cities, including Seattle and New York.

–Complete List of Projects–

future NENEL / 2010
flyfire / 2010
the cloud / 2009
AIDA / 2009
the copenhagen wheel / 2009
trash track / 2009
currentcity /2009
spacebook / 2009
eyestop /2009
obama | one people / 2009
world’s eyes / 2009
real time copenhagen / 2008
digital water pavilion /2008
NYTE / 2008
The wireless City /2007
wikicity rome / 2007
wikiCity / 2007
venice biennale / 2006
real time rome /2006
zaragoza bus stop / 2006
tsunami_safe(r) houses / 2005
mobile Landscape Graz / 2005
iSPOTS / 2005
Raster Cities /2005
A.C. Milan / 2004
Sandscape / 2004
Illuminating Clay / 2004
Phoxelspace / 2004
Programmable Window / 2004
Cannes Reloaded /2004

–People–

Carlo Ratti / Director
Assaf Biderman / Associate Director

–Current Researchers–

Clio Andris, German W Aparicio Jr., Rex Britter, Francesco Calabrese, Filippo Dal Fiore, Giusy Di Lorenzo, Jennifer Dunnam, Xiaoji Chen, Carnaven Chiu, Luigi Farrauto, Cesar Harada, Lindsey Hoshaw, E Roon Kang, Kristian Kloeckl, Aaron Koblin, David Lee, Eugene Lee, Mauro Martino, Vincenzo Mazoni, Stephen Miles, Mahsan Mohsenin, Sey Min, Nashid Nabian, Walter Nicolino, Dietmar Offenhuber, Christine Outram, Francisco Pereira, Santi Phithakkitnukoon, Adam Pruden, Francisca Rojas, Christian Somner, Bettina Urcuioli, Malima Wolf, Caitlin Zacharias

–Past Researchers–

Alan Anderson, Burak Arikan, Dima Ayyash, Euro Beinat, Luis Berríos-Negrón, Daniel Berry, Andrea Cassi, Natalia Duque Ciceri, Enrico Costanza, Pedro Correia, Talia Dorsey, Sarah Dunbar, Samantha Earl, Paula Echeverri, Chris Fematt, Lucie Boyce Flather, Saba Ghole, Fabien Girardin, Lewis Girod, Gabriel Grise, Daniel Gutierrez, Tim Gutowski, Margaret Ellen Haller, Alex Haw, Bartosz Hawelka, Guy Hoffman, Teerayut Horanont, Sonya Huang, Myshkin Ingawale, Sarabjit Kaur, Jan Kokol, Sriram Krishnan, Xiongjiu Liao, Alyson Liss, Liang Liu, Jia Lou, David Lu, Andrea Mattiello, Justin Moe, Eugenio Morello, Kenneth Namkung, Kevin Nattinger, Sarah Neilson, Giovanni de Niederhausern, Yaniv Ophir, James Patten, Jill Passano, Fabio Pinelli, Riccardo Pulselli, Pietro Pusceddu, François Proulx, Daniele Quercia, Martin Ramos, Rahul Rajagopalan, Jon Reades, Bernd Resch, Renato Rinaldi, Susannes Seitinger, Andres Sevtsuk, Louis Sirota, Najeeb Marc Tarazi, Bo Stjerne Thomsen, Musstanser Tinauli, Andrea Vaccari, Kenny Verbeeck, Yao Wang, Sarah Williams, Shaocong Zhou

–Advisory Board–

Eran Ben-Joseph, Rex Britter, Gillian Crampton Smith, Joseph Ferreira, Dennis Frenchman, Hiroshi Ishii, Michael Joroff, Bruno Latour, Frank Levy, William J. Mitchell, Antoine Picon, Adele Santos, Saskia Sassen, Lawrence Vale, Mirko Zardini

+Dialog: A Natural History of Media and Electric

Monday, May 17th, 2010

Recombinant Media Labs SF (in collaboration with Gray Area Foundation For the Arts) is excited to announce +DIALOG, a symposium series inviting local and global artists, scholars and polymaths to present and discuss their work in an intimate environment.

In a time when the information we consume is unprecedentedly estranged from its origins, +DIALOG will provide a forum to commune, collate and derive fresh context direct from the source.

“A Natural History of Media”

Media technologies have become the last best hope for a dated modernist march into the future only because they are imagined to have no nature. In fact, nature has gone in and out of circuit with modern communications technologies since their inception; natural radio was heard two decades before radio was invented; and communications technologies have never merely been about communications.

To present these ideas and field your questions, Recombinant Media Labs and Gray Area Foundation for the Arts welcome Douglas Kahn. Douglas Kahn is a historical theoretician of experimental arts and music; is the author of Noise, Water, Meat: A History of Sound in the Arts; and has three new books forthcoming on experimental music, the arts and early computing, and electromagnetism and the arts. He is a Guggenheim Fellow on the historical discovery of natural radio and is Professor of Science and Technology Studies at University of California at Davis.

“Electric”

Kahn’s presentation of “A Natural History of Media” is paired with a presentation of “Electric,” a new project by Chris Kubick, which explores the raw sonic edges and subtle mythologies of the basic source material underlying electronic music: electricity itself. Chris Kubick is an artist, composer, and sound designer tracing the boundaries between sense and non-sense, signal and noise, representation and formlessness. His work has been seen and heard in venues such as Whitney Museum and The New Museum (New York), MOCA and the Getty Center (L.A.), and many others.

The event will take place at 7:00pm on Friday, May 28, 2010 at Gray Area Foundation For the Arts, 55 Taylor St. San Francisco. Recommended $5-10 donation, however no-one will be turned away for lack of funds.

Schedule:
7:00 – 7:30pm reception
7:30 – 9:00pm presentations
9:00 – 9:30pm Open Q & A
9:30 – 10:30pm Networking and drinks

Press inquiries, general questions and suggestions are welcome.

Tiny Vipers, Svarte Greiner, Lissom, & Crystal Hell Pool

Monday, May 10th, 2010

RML SF presents an intimate evening of live performances by Tiny Vipers (Sub-Pop), Svarte Greiner (Type, Miasmah), Lissom (Dragon’s Eye), and Crystal Hell Pool (Dead Accents)

Start Time:
Sunday, May 30, 2010 at 8:00pm
Location:
Gray Area, 55 Taylor St. San Francisco, CA

Sliding Scale $10 – $15 advanced tickets.

Featured Artists:

Tiny Vipers

Svarte Greiner

Lissom

Crystal Hell Pool

Help Put the Fire in Syzygryd!

Monday, May 10th, 2010

Syzygryd is an interactive, collaborative musical instrument being built by Interpretive Arson, False Profit Labs, Gray Area Foundation For The Arts (GAFFTA), and Illutron.

Syzygryd is a soaring metal sculpture measuring 60 ft in diameter and 13 feet high, spiraling out to three touchscreen-operated controllers that anyone can use to dynamically compose music. The interface is intuitive and visual, allowing anyone from a 5 year old to a 105 year old to become a musician. The sculpture itself consists of three curving metal “arms” which spiral towards the center of the space into a tornado of increasingly larger and larger aluminum cubes. The cubes are lit from within by 1.5 kilowatts of LEDs, and the lights are sequenced to the music as it is created. The entire sculpture responds to how you play it!

Syzygryd is an honorarium project for Burning Man 2010, and we have been partially funded by the Burning Man Organization. We are very grateful for the funding we have already received, but our grant does not cover the entire project.

We need your help to fund Syzygryd’s FIRE! We have almost ten years of experience building safe and beautiful fire art, and we are excited to add sequenced flame effects to Syzygryd. The fire will rise up from the top of the center of the sculpture, culminating in a 10 to 20 ft tall fire tornado.

;